Solo Exhibition
Pahsi Lin
Palazzo Reale Monza, Italy
2019 | June 8th-23th |
Amalart is proud to announce that, one year after the HO KAN retrospective "Beyond Colors and Shapes," the Villa Reale of Monza successfully hosted the exhibition "Gilding Monologue" from June 8-23, 2019, featuring the acclaimed Taiwanese artist PAHSI LI.
Approximately 50 of Pahsi Li's works, including paintings and sculptures created in recent years, were exhibited in the stunning rooms of the first Noble Floor of the Villa. The exhibition layout was masterfully curated by Stefano Soddu, a renowned writer and artist.
Pahsi Li (Kaohsiung, Pingtung-Taiwan, 1960) is a painter and sculptor of exceptional talent whose work bridges the gap between Eastern and Western artistic traditions. His paintings reflect a profound understanding of Western abstract art, informed by the influence of masters from previous generations, such as Ho Kan. At the same time, his work remains deeply rooted in his own cultural heritage. His abstract compositions often incorporate subtle references to traditional artifacts, like precious and famous porcelain, and draw on both ancient and contemporary Chinese art.
Li's painting technique showcases a sophisticated use of Western pictorial methods while maintaining a connection to notable contemporary Chinese artists, such as Zhang Daqian (1899-1983) and Zao Wou-Ki (1921-2013), particularly in the pivotal role that color plays in their works.
Pahsi Li's wild and passionate personality shines through in his art, placing him within the maximalist tradition of contemporary art. Similar to artists like Pablo Picasso, Henri Matisse, Walasse Ting, and Hsiao Chin, his works exude a vibrant desire and passion for life. A distinctive element of Li's work is his masterful and refined use of gold. This metallic pigment, far from being merely decorative, evokes an ancient art form that continues to resonate. For Li, gold is not a symbol of wealth or human desire but stands on its own. When combined with his penetrating artistic vision, it produces what he describes as "reactions to beauty," revealing unexpected and diverse nuances.
The exhibition was a resounding success, as evidenced by the following photos of the opening event:
